A local review of The Prom (2020) which action takes place in Indiana tried to make the case the state isn’t that backwards about accepting gay people by resorting to a nasty racist trope.
I recently watched The Prom (2020) with my partner, a musical about four Broadway stars on the decline flying for the wrong reasons to the help of a gay Indiana high-schooler as the PTA decides to cancel prom if she was allowed to attend.
The movie is what it is, others have talked at better length than I could ever do, but I was wondering if the movie and the Broadway musical it’s an adaptation from were based on a real event. It turns out they aren’t, but during my search I ended up reading a review published by the Indy Star, a local newspaper. I was interested to see how the homophobic Indiana depicted in the beginning of the movie was resonating with local folks.
Most of the article deplores the actual lack of Montana-specific references, but then there is this infamous quote:
“It is also hard to nail down a community that would be so fiercely opposed to even the smallest of LGBTQ+ rights while also having a Black woman as head of the PTA and a Black man as the high school principal.”Justin L. Mack
Now, I’m familiar with this very racist trope reducing black people to obligatory progressives, but I was surprised to see it so casually used in a text essentially saying “we’re not that homophobic”.
In retrospect, it totally validates the writers’ choice to set this movie in Indiana, and while I’m not usually inclined to share every racist bit I encounter on Internet, this particular egregious example stuck with me long enough that I felt like it deserved this article.
From an ill-conceived idea to an apparent ideological quagmire troublingly in tune with the times it was released in, the Joker movie is polarizing for the wrong reasons.
Continue reading “I don’t want to watch Joker”
Avengers: Infinity War focuses on the character of the super-villain Thanos as far as making him achieve his horrific genocidal plan. This time the villain wins, and it isn’t pretty.
Continue reading “Avengers: Infinity War, the villain wins”
The Devil’s Advocate uses Christian mythological images to convey very conservative opinions that must have been way less conspicuous when it was released 21 years ago in 1997.
Continue reading ““The Devil’s Advocate” is a movie conservative as Hell”
As it is a personal tradition in long flights, I’ve been watching low-investment movies, here’s my watch list on my Summer 2018 round-trip between New York and Paris.
Continue reading “Summer 2018 transatlantic flight movie review”
RBG is a well-made documentary about an extraordinary woman who still fights for women’s rights to this day, and her matching and supporting husband of lesser fame but no lesser merit. Unfortunately the current US political landscape tainted my reception of this movie without having to do with its quality.
Continue reading “RBG, a bittersweet documentary”
Blade Runner 2049, like many modern reboots or sequel to popular 80-90’s movies, misses the mark spectacularly by failing to identify what made the original great, and ends up being all form and no substance.
Continue reading “The missing melancholy of Blade Runner 2049”
Mad Max: Fury Road is arguably one of the most memorable movies of 2015, for a number of reasons. And after having extensively played the eponymous video game released the same year, I feel like it is going further and deeper into human madness than the movie ever went.
Continue reading “Mad Max the Video Game is better than the movie”
I was invited by the NY Sci-Fi and Fantasy Meetup groop to see the premiere of Lockout last evening. I had no real expectations from the movie, all I knew before seeing it was its poster and the fact that Luc Besson was involved in its production. I was hoping that seeing this movie for free would help enjoying it but eventually it didn’t. At all.
WARNING : May contain spoiler, but can you spoil what is already spoilt ?
Continue reading “Lockout review”